1958 · André Waterkeyn & André and Jean Polak · Europe
The chamber score
Ma Mère l'Oye
Maurice Ravel · 1910
Art Nouveau as a lullaby that grew iron.
An original chamber arrangement in the climate of the work. The recording is not a copy. It is the room answering.
Why it is here
The Expo 58 monument, still Brussels' most recognisable silhouette.
Commission the full chamber
This monument is in the atlas. The rebuild can be written for you.
Ask the studio to reconstruct Atomium through hope — or shift it into another corridor.
Open a commissionShift the feeling
What if Atomium was rebuilt as something else?
Ask the architect
